Whitechapel Bell Foundry, 32–34 Whitechapel Road

Bell foundry, built mid 1740s, extended to rear

A History of the Bell Foundry
Contributed by Survey of London

The Whitechapel Bell Foundry, which closed in June 2017, was a remarkable survival. Its business cards claimed it as ‘Britain’s oldest manufacturing company’ and ‘the world’s most famous bell foundry’ – the first not readily contradicted, the second unverifiable but plausible. It had been said that the bell foundry ‘is so connected with the history of Whitechapel that it would be impossible to move it without wanton disregard of the associations of many generations.’1 The business, principally the making of church bells, had operated continuously in Whitechapel since at least the 1570s. It had been on its present site with the existing house and office buildings since the mid 1740s.

The foundry’s origins have been traced to either Robert Doddes in 1567 or Robert Mot in 1572, giving rise to a traditional foundation date of 1570. It is said then to have been in Essex Court (later Tewkesbury Court, where Gunthorpe Street is now). There is no continuous thread, but it has also been suggested that the Elizabethan establishment had grown out of a foundry in Aldgate that can be tracked back to Stephen Norton in 1363.

To Whitechapel Road

From 1701 Richard Phelps was in charge. He made the great (5¼ ton) clock bell for St Paul’s Cathedral in 1716. When he died in August 1738 he was succeeded by Thomas Lester, aged about 35, who had been his foreman. It has been supposed that within the year Lester had moved the foundry into new buildings on the present site on Whitechapel Road, a belief which can be traced to Amherst Tyssen’s account of the history of the foundry in 1923, where he related that ‘according to the tradition preserved in the foundry and communicated to me by Mr John Mears more than sixty years ago, Thomas Lester built the present foundry in the year 1738 and moved his business to it. The site was said to have been previously occupied by the Artichoke Inn.’2 That has never been corroborated and it is implausible as such a move would take more than a few months.

Contemporary documentation suggests a slightly later date for the move. An advertisement in the Daily Advertiser of 31 August 1743 reads: ‘To be let on a Building Lease, The Old Artichoke Alehouse, together with the House adjoining, in front fifty feet, and in Depth a hundred and six, situated in Whitechapel Street, the Corner turning into Stepney Fields.’ Those measurements tally well with the foundry site. Stepney Manor Court Rolls refer to ‘the Artichoke Alehouse, late in the occupation of John Cowell now empty’ on 8 April 1743 and to ‘a new built messuage now in possession of Thomas Leicester, formerly two old houses’ on 15 May 1747. A sewer rates listing of February 1743/4 does not mention Lester at the site. The advertised building lease was evidently taken by or sold on to Lester, who undertook redevelopment of the site in 1744–6, clearing the Artichoke. The motive for the move was doubtless the opportunity for a larger foundry and superior accommodation on this more easterly and therefore open site.

The Buildings

The seven-bay brick range that is 32 and 34 Whitechapel Road is a single room deep with three rooms in line on each storey, all heated from the back wall. It was built to be Lester’s house and has probably always incorporated an office. The Doric doorcase appears to be an original feature, while the shopfront at the east end is of the early nineteenth century, whether an insertion or a replacement. Internally the house retains much original fielded panelling, a good original staircase, chimneypieces of several eighteenth- and nineteenth-century dates and, in the central room on the first floor, a fine apsidal niche cupboard. Behind the east end is 2 Fieldgate Street, a separately built house of just one room per storey, perhaps for a foreman. Its Gibbsian door surround is of timber, as are its back walls.

32-34 Whitechapel Road in April 2017 (photograph by Derek Kendall)

Eighteenth-century outbuildings to the south are single storeyed, a stables, coach-house and smithery range along Fieldgate Street. The foundry itself was across a yard behind the west part of the house. Facing the street on the former stabling range is a tablet inscribed: ‘This is Baynes Street’ with an illegible date, perhaps 1766. This refers to what became Fieldgate Street. What is now Plumber’s Row bisected property owned by Edward Baynes from 1729.

From 1750 to 1810

Thomas Lester took Thomas Pack into partnership in 1752 and acquired ownership of the foundry from a younger Edward Baynes in 1767. Lester’s nephew William Chapman was a foundry foreman who, working at Canterbury Cathedral in 1762, met William Mears, a young man he brought back to London to learn the bell- founding trade. Lester died in 1769 and left the foundry to relatives to be leased to Pack and Chapman as partners. After Pack died in 1781 Chapman was pushed out and for a few years descendants of Lester ran the establishment. Their initiative failed and William Mears returned in partnership with his brother Thomas, who came to Whitechapel from Canterbury. Ownership of the property remained divided among descendants of Lester and in 1810 Thomas Mears was still trading as ‘late Lester, Pack and Chapman’. On a promotional sheet he listed all the bells cast at the foundry since 1738, 1,858 in total, around 25 per year – including some for St Mary le Bow in 1738, Petersburg in Russia in 1747 and Christ Church, Philadelphia, in 1754.

Later Ownership

A son, also Thomas Mears, acquired full control of the foundry in October 1818 when seven parties of Lester descendants sold up. The younger Mears took over the businesses of four rival bell-founders and, it seems clear, undertook works of improvement. By 1840 the firm had only one major competitor in Britain (W. & J. Taylor of Oxford and Loughborough). The next generation, Charles and George Mears, ran the foundry from 1844 to 1859, the highlight of this period being the casting in 1858 of Big Ben (13.7 tons), still the foundry’s largest bell. From 1865 George Mears was partnered by Robert Stainbank. Thereafter the business traded as Mears & Stainbank up to 1968. Arthur Hughes became the foundry manager in 1884 and took charge of operations in 1904.

Alterations to 1900

Given the ownership history, there was little significant investment in the buildings before 1818. However, the smithery end of the eastern outbuilding does appear to have been altered if not rebuilt between 1794 and 1813. Around 1820 a small pair of three-storey houses was added beyond a gateway that gave access to the foundry yard. There are also two-storey single-room early nineteenth-century additions behind the centre and west bays of the main house, the last room incorporating a chimneypiece bearing ‘TM 1820’. Thereafter, possibly following a fire in 1837 or in the 1850s, the smithery site was redeveloped as a three-storey workshop–warehouse block extending across a retained gateway. The ground-floor openings north of the gateway, once perhaps doors, have been reduced in size. Demand for the casting of very heavy bells increased from the 1830s. In 1846 the foundry was enlarged with a new furnace by enclosing the south end of the yard, this for the making of an 11.5 ton bell for Montreal Cathedral. Another furnace was added two years later and in 1850 Benjamin Price built a 62ft-tall chimney up against the south wall. Rudhalls Gloucester foundry, taken over in 1835, closed in 1848 and its tuning machine was brought to Whitechapel and housed in a specially built room that ate further into the yard, the smithery to the east adapted to house a steam engine. The tuning room’s largely glazed north-facing wall stands little altered, and the timber beam that housed the head of the tuning machine remains in situ below a lantern-lit roof, the machine itself having been replaced around 1920. A large additional workshop or back foundry had been added to the far south-west by the 1870s, by when the pair of houses to the south-east had been cleared for a carpenter’s shop, the front wall retained with its doors and windows blocked. The more northerly part of the Plumber’s Row range has latterly been used for making handbells and timber bell wheels.3

Whitechapel Bell Foundry, ground-floor plan in 2016 (drawing by Helen Jones)

Late 20th-century repair and rebuilding

The back foundry was damaged during the Second World War. Proposals to rebuild entirely behind the Whitechapel Road houses emerged in 1958 by when the foundry was already protected by listing. The workshops were considered expendable, but even then it was suggested that the timber jib crane on the east wall should be preserved. First plans were shelved and a more modest scheme of 1964–5 was postponed for want of capital, though plant and furnaces were replaced and there were repairs that included rebuilding of the east and west inner courtyard walls. In 1972 Moss Sprawson tried to acquire the site for office development. For the foundry, Douglas Hughes (one of Arthur’s grandsons) proposed a move east across Fieldgate Street to what was then a car park owned by the Greater London Council. A move entirely out of London was also considered. The GLC’s Historic Buildings Division became involved in trying to maintain what it considered ‘a unique and important living industry where crafts essentially unchanged for 400 years are practised by local craftsmen.’4 But plans came unstuck again in 1976 when the GLC conceded it had no locus to help keep the business in situ. Even so, in the same year the UK gave the USA a Bicentennial Bell cast in Whitechapel. A large new engineering workshop was at last built in 1979–81, with James Strike as architect. At the back of the site, it was faced with arcaded yellow stock brick on conservation grounds. In 1984–5 the GLC oversaw and helped pay for underpinning and refurbishment of the front buildings. The shopfront was grained and the external window shutters were renewed and painted dark green. In 1997 proprietorship passed to Douglas Hughes’s nephew, Alan Hughes, and his wife, Kathryn. The foundry has continued to manufacture, but not without growing concerns as to its tenability in Whitechapel. In December 2016 the Hughes announced that the foundry would close in 2017 following sale of the site. The future of the business was to be negotiated.5

We are grateful to Alan Hughes for showing us round the premises and sharing his knowledge of the foundry.

  1. D. L. Munby, Industry and Planning in Stepney, 1951, p. 254  

  2. Amherst D. Tyssen, ‘The History of the Whitechapel Bell-Foundry’, Transactions of the London and Middlesex Archaeological Society, vol. 5, 1923, p. 211 

  3. Richard Horwood's Map of London, 1813: Ordnance Survey map, 1873: London Metropolitan Archives, District Surveyor's Returns and MBO/Plans/292  

  4. London Metropolitan Archives, LMA/4441/01/0821 

  5. The Guardian, 2 December 2017 

Alan Hughes interview
Contributed by Survey of London

"The facade has had very little done with it over the years… even if you look at the brickwork today you’ll see that the brickwork across the parapet looks a lot newer, so I suspect that the parapet was rebuilt…because it’s upright, the whole building leans but the parapet is upright which suggest to me that it was rebuilt. And the rest of it has been patch repaired.… when I joined the company all of the timber work across the front of the building was grained in the same way as our front entrance was grained. Now I personally hate graining, I don’t like it, I think its horrible, it pretends to be what it isn’t, I would far rather you just paint it.

It took us something like two years to get permission from the local council to actually paint the timberwork green as it now is, that was a real struggle. But at least visually there is now some separation between what was the Bell Foundry house, with the green, and the front entrance to the business, which is still grained…. it’s got to be 25-30 years ago, and since then any repainting has had to be in the same shade of green. Because if you change the colour of the paint, in a Grade II* listed building you have to get listed planning consent [sic] just to paint the colour of the paint…"

To listen to the full interview, click here...

The Bell Foundry and 36 Whitechapel Road, 1960s
Contributed by Survey of London on Jan. 23, 2017

A digitised colour slide (from the Tower Hamlets Archives collection) of the frontage of the Whitechapel Bell Foundry, with No 36 Whitechapel Road and 1 Fieldgate Street, soon to be demolished, visible at the left:


Whitechapel Bell Foundry in 1971
Contributed by Survey of London on Dec. 16, 2016

Another slide from the Tower Hamlets Archives collection:


From Whitechapel Road
Contributed by Harrietb

Whitechapel Bell Foundry, ground-floor front room in Master Founder's house in 1946
Contributed by Historic England

34 Whitechapel Road in 2010
Contributed by Historic England

Tuning the bells
Contributed by david2

Interior view of the foundry workshop
Contributed by Survey of London

Whitechapel Bell Foundry, internal yard from the south in 2010
Contributed by Historic England

Whitechapel Bell Foundry, pouring molten metal in 2010
Contributed by Historic England

2 Fieldgate Street in 2010
Contributed by Historic England

Shopfront at Whitechapel Bell Foundry, April 2017
Contributed by Derek Kendall

Last bell to be cast at the Whitechapel Bell Foundry
Contributed by alexander

Whitechapel Bell Foundry, ground-floor plan in 2016
Contributed by Survey of London

shop entrance, detail of threshold, April 2017
Contributed by Derek Kendall

Whitechapel District Board of Works electric-lamp standard, east of Whitechapel Bell Foundry, detail from the west in 2017
Contributed by Derek Kendall

Liberty Bell Replica
Contributed by stuart

Whitechapel Bell Foundry, 32-24 Whitechapel Road, April 2017
Contributed by Derek Kendall

Whitechapel District Board of Works electric-lamp standard, east of Whitechapel Bell Foundry, view to the north in 2017
Contributed by Derek Kendall

A Tour of Whitechapel Bell Foundry

Meet Alan Hughes whose family has been casting bells in East London since 1884.

Contributed by Survey of London

Whitechapel bell foundry in the 1920s

A comparison between this brief silent newsreel and those of 1954, 1966 and 2014 shows how little changes in the techniques of bell-making

Contributed by Aileen Reid on Sept. 20, 2016

Inside the Whitechapel Bell Foundry, 1966

Brief Pathé newsreel showing the casting and tuning of a bell in Whitechapel Bell Foundry in 1966

Contributed by Aileen Reid on Sept. 20, 2016

William Hughes tuning a bell at the foundry, 1954

Short film about the foundry, showing the shaping of bell clappers, and the company's owner, William Hughes, tuning a large bell.

Contributed by Aileen Reid on Sept. 20, 2016

The last days at the foundry

A short film of a visit to the bell foundry, with an explanation of repair work, on 1 April 2016, the year before the foundry closed.

Contributed by Survey of London on March 11, 2018