56 Gower's Walk

1994–5 terraced house in red and stock brick | Part of 43–58 Gower's Walk

No 'Coal Hole'
Contributed by eric on Feb. 23, 2017

This is about the previous property at 49 Gowers Walk, not the one present in 2016. When my family lived there in the 1940's and 1950's, the two flats had fireplaces, but nowhere to store fuel.

Our flat, at the top of the building had a small spare room between the two bedrooms, all three rooms backing on to the Albion Soap factory next door. We had to keep our coal in that. Our coalman was not happy to lug bags of coal up two flights of stairs, and because the floors had wood-worm we had to buy little and often. When my half-brother left the RAF after the war, he and his new wife were desperately looking for somewhere to live, and we could only offer to clean out our 'coal-hole'. Their faces gave their reply.

43–47 and 49–58 Gower's Walk, with 1–3 Mitali Passage 
Contributed by Survey of London on June 5, 2020

These are eighteen two- and three-storey houses that were built in 1994­–5 by the Mitali Housing Association, founded in 1985 to assist local families of Bengali origin, as the social housing portion of the development also at 109–129 Back Church Lane. The facades have a postmodern character in their use of red and yellow brick patterned to echo parapet gablets in front of monopitch roofs. The Gower’s Walk and Mitali Passage houses occupy a site that had included, from the south, Webb’s Place, cleared in 1937, a yard at No. 47 that was a cigar-box makers in the 1880s, later a builder’s store and sawmill, and a row (Nos 50–58), probably some of Joel Johnson’s eighteenth-century houses. By 1896 these were in the ownership of T. M. Fairclough, a haulage firm that occupied the yard behind, and which replaced the row in 1932. No. 49, a gabled red-brick three-storey building of two flats over an entryway to a small yard that came to be used by Faircloughs, had been built in 1906 as the delivery entrance and caretaker’s flat to the People’s Arcade. It had an improbable afterlife in 1984–9, as Exhibiting Space, a gallery that presented exhibitions, practical and theoretical workshops, lectures and recitals. It sought ‘a critical articulation of verbal and non-verbal signifying practices’ to ‘strategically privilege the productivity of irreducible plurality’.1

  1. Art Monthly, Oct 1984, p. 44; 1 Dec 1985, p. 22; 1 March 1989, p. 25: Ansar Ahmed Ullah and John Eversley (eds), Bengalis in London’s East End, 2010, p. 42: Tower Hamlets Local History Library and Archives, L/THL/D/2/40/71: Tower Hamlets planning applications online: The National Archives, IR58/84818/3585–97; /84814/3147–73:surveyoflondon.org/map/feature/1 039/detail/#story: Royal Bank of Scotland Archives, NWB/1874: www.insidehousing.co.uk/news/news /east-london-landlords-merge-35391